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Mad Men: Shut The Door. Have A Seat.

November 11th, 2009

Season 3, Episode 13

Synopsis

Conrad Hilton informs Don he’s moving his business elsewhere – McKann Erickson is buying Putnam, Powell, and Lowe, and therefore Sterling Cooper. Draper calls McKann Erickson a “sausage factory,” and accuses Hilton of toying with him.

After recalling how his father Archie, quit a farmer’s co-op, Don asks Bertram about buying company back. Bertram says it’s risky, but Don says he wants to work, and build something. They approach Roger, who manages the lucrative Lucky Strike account. Roger resists, until Don admits he was wrong and bad with relationships.

Betty tells Don that she wants a divorce. He suggests she see a doctor and accuses her of breaking up the family.

Roger, Bertram, and Don approach Lane about purchasing the company. Lane says it won’t happen and apologizes for the situation. Later, Lane asks his boss about his future role at McKann, and gets a business-like, vague reply.

A divorce lawyer briefs Betty and Henry on New York’s strict grounds for divorce, but says Nevada has looser laws – he recommends spending six weeks in Reno to establish residency. Henry tells Betty she won’t need any money from Don.

While watching Sally sleep, Don recalls his father’s death, kicked in the head by a horse after an argument with Abigal over money.

Don realizes Lane has the ability to fire anyone, and asks that he, Bertram, and Roger be let go. Cooper suggests Lane be partner at the new firm as financial manager. Lane calculates they’ll need more accounts, and must lock them up quickly before word spreads. Roger commemorates the day that four men shot their own legs off.

Don asks Peggy to join the new agency. She resists, saying he expects her to follow him around like a nervous poodle, and walks out of his office.

Roger and Pete approach Pete at his apartment. He says he has his own plans. Don commends Pete for recognizing new markets. Pete lists 8 million dollars worth of accounts. Don asks him to line them up over the weekend.

At the bar, Don tells Roger about his divorce, and Roger mentions Henry Francis. Don had no idea another man was involved.

That night, a drunk Don drags Betty out of bed, demanding to know who Henry is. He accuses her of building a life raft, and calls her a spoiled whore. She says she’s going to Reno and orders him out of the house.

On Saturday, Roger, Bertram, Lane, and Pete meet at Sterling Cooper to take materials for the new company. Harry joins them as head of media. Unfamiliar with office organization and what materials they need to pilfer from Sterling Cooper, Roger calls someone who can help.

Betty and Don tell the kids about the divorce. Sally and Bobby don’t take the news well, and Betty holds back tears as Don hugs his son.

Don visits Peggy at her apartment. He admits to taking her for granted, because he sees her as an extension of himself. He says something bad has happened to people, and the way they saw themselves is gone. Peggy understands what this is like, and this is valuable. “What if I say no?” she asks. He says he will spend the rest of his life trying to hire her.

After Don and Peggy arrive at Sterling Cooper, Joan arrives with a list of everything they need to take. They take everything they need for the new business.

On Monday, Don’s secretary finds his office ransacked. Lane is fired. Joan has set up a hotel room as the new office. She takes a phone call as Sterling, Cooper, Draper, Pryce. Meanwhile, at the old office, Ken and Paul piece together what just transpired. Trudy arrives at the new “office” with sandwiches and a cake, saying, “isn’t this exciting?”

Don calls Betty and says he isn’t going to fight the divorce. Later, Betty, Gene, and Henry fly to Reno, while Don arrives at his new apartment.

Then And Now

  • Client information is contained in old-school folders, file cabinets, and Rolodexes – no easily copyable computer files.

Thoughts

A tally sheet of my season finale predictions:

  • Failed marriage: right.
  • Connie Hilton rejects Don: right.
  • Return of Miss Farrell: wrong.
  • Return of the fainting couch: wrong.
  • Pete and Peggy move to another firm: not exactly.

My mistake: I didn’t foresee Don’s resilience; his desire or capability for re-invention. Before the season finale, I felt he might remain stuck in the past and become increasingly marginalized – unless he underwent some transformation to get with the changing times. Don definitively chose the latter. Whether inspired by Hilton’s dismissal, JFK, or memories of his father’s death, Don acted with surprising speed and determination – in just one episode, he devised something new out of the ashes of the old, something that gave him (and others) hope, despite the surrounding chaos.

I underestimated Don Draper.

Don is now prepped for the latter half of the sixties, embracing change while shedding the caustic illusion of a happy nuclear family. He admitted to being bad at relationships and recognized he couldn’t continue alone. He lost Betty, but reconciled with Peggy, Pete, and Roger. All positive, character-building stuff.

And Don’s sudden change makes sense – he did it once before as Dick, when he grabbed the now-iconic dog tags from the dying, original Don Draper. In a sense, the new company (Sterling, Cooper, Draper, Pryce) was created by stealing “dog tags” (employees, clients) from the festering corpse of the old firm. The audacity is that Don convinced several co-workers to join him in this brazen theft, spinning it as only he could, as a very-good-thing; a transformation, for all involved.

Like Betty, I viewed Dick’s identity theft as a very-bad-thing – something Don would eventually have to atone for – and he did, with the collapse of his marriage. But that dog tag grab is now painted in a new light – as an opportunistic, hopeful seizing of a brighter future. He wasn’t going back to that old life then, and isn’t now.

I now anticipate a streamlined, leaner agency, composed of strong, talented personalities. Who needs a bevy of secretaries when you’ve got Joan? Or Paul, Smitty, and Ken when just Peggy will suffice? It’s like a brash start-up emerging from the depths of corporate calcification. Like Don, the show is rejuvenated – or should I say “Rejuvenatored.”

There are questions: what of Sal, Paul, Ken, Miss Farrell, and Duck? Will episodes bounce between McCann Erickson, the new outfit, and Betty’s marriage? What year for season 4? Will bachelor-Don return to serial womanizing?

Who knows, but thanks to a solid, energetic season finale that could have been a show closer, I’m guaranteed to tune in, turn on – and find out.

Next Episode: ???
Previous Episode: The Grown Ups

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  • jcieplinski
    Best season finale so far. Amazing, how Weiner managed to put all the pieces back together in a way that I should have seen coming but didn't.

    At the end of the day, no one wants to watch a show about Don Draper the loser who lets everyone bulldoze him all the time. When the time came, Don remembered himself. He took back the power, harnessed his keen ability to sway people in a particular direction, and took a huge risk. The difference this time is that he's learned the value of other people. He knows he can't take on the world alone. While he may have lost his wife (good riddance. She was getting severely annoying, anyway) he gained very valuable assets in Peggy and Pete, who have both learned a lot about negotiating from Don. He can't take them for granted anymore, but he doesn't have to. They will work tirelessly for the good of the new company, now that they have a real stake in it.

    I can't see Betty's tryst with this politician lasting long. It's just not that interesting, from a plot perspective. And seeing Don as a weekend dad, taking the kids to the park, sounds really boring, too. My only hope is that Betty comes running back to Don, and he rejects her. Then just write her off the show. If they get back together again, then Betty has to do something more interesting than yell at Sally and complain about her life being so unfulfilling. She has to grow up sometime and take a real interest in something other than horseback riding.

    The fact of the matter is that Don is finally in a position to be in a good relationship. He's learning to value relationships, despite Roger's accusation to the contrary. So instead of Betty, the trophy wife who he married to complete the suburban businessman facade, he can find himself a Rachel Menken. Someone who can challenge him. Someone he can respect.

    That scene in the bedroom was so powerful, when Don calls Betty a "whore." This isn't hypocrisy on Don's part. He's slept around, but he's never sold himself the way Betty has. He's betrayed Betty, but he hasn't betrayed himself.

    She can talk all she wants about her reasons for leaving Don. It has nothing whatsoever to do with his infidelity. She knew about that last season. It's not because of the secret identity, either. If she had a problem with secrets she wouldn't have married a guy who had told her nothing about his past. It's about trading in Don for something she sees as better. It's complete selfishness.

    I really would like to see Sal make a comeback, but Lucky Strike is Sterling Cooper Draper Price's ace client. Unless that guy dies, or something, Weiner's going to have to do some serious writing to make that work. I'd also like to know the fates of Cosgrove and Paul Kinsey. Are they finished? Will we see some competition from the rival firms, or will Don try to recruit them? The possibilities are endless.

    After an entire season of things falling apart, Weiner has managed to bring us right back to where the show started. Only different. Season 4 makes total sense now, whereas it didn't look too promising just a few episodes ago. I can't believe we have to wait until next August to see what happens next. And I can't believe I'm looking forward to it already.
  • Overall Don is turning out to be an incredible, complex character. I alternately root for and dislike things about him, which is totally okay, it makes for great drama. Actually, when he started creating his own company, poaching employees, and described himself as an "idea man" who wasn't good with relationships, I thought of Steve Jobs, another guy with recognized business genius but an infamously prickly personality.

    I also hope Betty becomes a secondary character in season 4, representing the fading 50s. That would not be impossible, seeing how Roger and Pete didn't have as much screen time in season 3 as the previous episodes.

    Now I'm actually more interested in how Sally and Bobby react to the divorce. We've seen over and over Betty's questionable parenting skills (basically ignore the kids / treat them like idiots) and as Sally gets older she's prepped to be the worst form of rebellious teen.

    (Now that I think of it, this episode had several goodbyes to father figures - Don remembered the death of his dad, Connie rejected Don, and Bobby said goodbye to Don. There's a deep feeling of living up to parental expectations, and trying to be better than the generation before)

    Also - yeah, totally want Sal to come back. Maybe they can work out some way to have him work at the new company but not let lucky strike know? I remember Joan saying nobody was to come to the "office" itself and all meetings should happen elsewhere.

    In addition to seeing Joan back, I'm also amused to see Pete's wife Trudy possibly playing a bigger role in the new firm. And the show has a good chance to return to advertising and office antics that got kind of sidelined during season 3.

    Although I liked Paul and Ken, it would be stretching it if all the main characters ended up at the new firm. I guess we can keep an ear out for which actors still have contract with the show as season 4 approaches.

    Anyhow it's pretty amazing that this is the third season and the show still manages to keep things interesting. I know the comparison is a reach, but Battlestar Galactica got relatively convoluted in season 4, meanwhile Mad Men has the oddly amazing feeling that it's just getting started.
  • jcieplinski
    That's a great point about father figures. Hadn't thought of that.

    I'd love to see more office, less home life in the next season. No reason why Betty needs so much screen time.

    I also think Trudy is going to be a more interesting character moving forward. I think the fact that she fully supported Pete through the failed promotion and his big risk jumping ship with Don has made their marriage stronger. Pete's finally starting to appreciate her.

    Weiner has done a heck of a job setting up for the next season. He's basically put himself in an excellent negotiating position with AMC. They can't let the show go now or get someone else to produce it.

    Maintaining that level of interest and quality can't be easy. Almost no one else manages to do it. I think the real trick is knowing when you've said all you can say, and ending the show gracefully at the right time. Clearly, this show isn't over yet. I keep asking myself where they can possibly go next, but this time Weiner has already answered that question.

    Viet Nam, the assassinations of MLK, Bobby Kennedy, the hippy movement, Civil Rights—we still have a lot more 60s to explore. I'm assuming that Joan's husband will be killed in Viet Nam. That much seems obvious. And that marriage doesn't work, anyway. (Amazing how many bad matchups this show has. Seems like Bert Cooper has the right idea being single.)
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