Movie Notes: Blow Up

January 1st, 2009

Blow Up

4 stars = 4 stars

Starring David Hemmings, Vanessa Redgrave
Directed by Michelangelo Antonioni

Synopsis

Bored fashion photographer Thomas (David Hemmings) photographs a mysterious woman (Vanessa Redgrave) in a lover’s tryst.

The Good

The Bad

Conclusion

On first viewing many years ago, I found Blow Up boring. This time out, I considered everything as symbolic of something else, and the movie flew by. Does the corpse represent lost love? Innocence? A mourning of England past?

I’ve watched many daffy sixties movies, and Blow-Up at least reaches beyond and transcends its decade. It’s aware of sixties’ chaos, youth rebellion, and searching for meaning in the new — but has the guts to point out that the ultimate point may be hollow and ultimately meaningless.

As a photographer, Thomas places much faith in the camera. While examining some photographs, he finds evidence of a murder, which he later confirms by finding the corpse in the park. Jane’s (Redgrave) request for the photographs suggests a dire importance. After he refuses, the photographs are stolen and the corpse vanishes. 

Just as the murder remains outside of Thomas’ experience, the murder isn’t shown onscreen. Since we weren’t specifically shown, we can only assume — as Thomas does — that it did happen.

After the Yardbirds concernt, Thomas picks up the neck of a broken guitar. The crowd clamors for the artifact, as it has meaning since the band touched it. Outside the club, a passerby with no knowledge of the concert examines the broken guitar neck and tosses it aside as garbage.

At movie’s end, Thomas reluctantly participates in an imaginary tennis match, at its periphery. He throws a ball that doesn’t exist. But the behavior of the mimes, and that of the camera — following the non-existent ball as it rolls through the grass — lends evidence that the ball is real.

Through these games of shifting reality, meaning, and truth, I began to question the purpose of Thomas’ entire life. He creates highly staged, glamour photos of models wearing the latest fashions, presenting illusions which ultimately have little meaning.

Here’s what I think Antonioni is getting at: If you lose all evidence of a truth, would you still believe? That is the murder. And on the contrary, if you have evidence of a clear falsehood, would you still believe? That is the tennis match.

David chooses the latter when he tosses the ball into the crowd of mimes. It makes sense, as his whole life has been spent manufacturing illusions for mass consumption. So he disappears.

IMDB: Blow-Up
Wikipedia: Blow-Up
Rotten Tomatoes: Blow-Up 85%

6 Comments

  1. spragued says:

    Nice. I watched Blow Up recently and was struck by the pacing — surprisingly slow for the period. An odd movie, but certainly worth a re-watch.

  2. webomatica says:

    Maybe let a few years pass between the first and the second viewing :)

  3. Steve Martin says:

    LOL looks like a great classic, worth watching

  4. JayDee says:

    I was 18 in 1968 when i first watched Blow up.At the time i thought it was a bit rubbish.Since then i have watched it 6 times and have come to the conclusion that the underlying theme in this film is that he witnessed a political murder.Remember the guy that shadowed him in the town?,was he MI5?.How did Jane know where his studio was.Was she MI5?.Also the telephone number she gave Thomas was wrong…Dead End ?.And then when he returns to his studio all evidence of the murder had been removed.Was the murdered man in the park a foreign spy that needed to be eliminated ?.Lonely park, man and woman flirting, man gets shot and all witnessed by the fashion photographer who thought he would do a spot of shooting(pardon the pun) as he left the antiques shop.…

  5. JoeAnne11 says:

    This pictures makes me think about those movies made like half of decade ago. Those kind of movies where the actors were wearing funny tshirts and they had no clue about how to actually act in something like this. I seldom watch a movie like that because I like to compare it with a movie recently made.

  6. The movie Blowup is a visual enactment of the Oedipus complex, where the older women is the mother figure and the mysterious silver-haired man is the father, whom boys feel they compete with for their mother’affection. The affair with the older women is perhaps a sign of an unresolved Oedipus complex, and the boy/man wants the father to disappear.