Music Notes: Radiohead, The Bends

The Bends is Radiohead’s second album, and sounds it — an evolutionary step squarely between the melodic rock of Pablo Honey and the moody, otherworldly masterpiece OK Computer. There’s conflict between standard rock and more experimental, nearly atonal sonic textures. Some songs are frustratingly safe, others gloriously so, and a few flirt with the cutting edge. In retrospect, Radiohead was on the edge of a creative leap, peeking into a canyon but not quite over the rift.
Radiohead could have easily made a career out of folk rock songs like High and Dry, Fake Plastic Trees, and Black Star, but thankfully took the more experimental route, drawing from Street Spirit, Nice Dream, Just, and Planet Telex to fuel their future. You can hear whispers of their subsequent work on The Bends.
Planet Telex
= 4 stars
The highly effected piano chords foreshadow Everything In Its Right Place. Better examples of spacious, epic songs come later — it’s a lesser version of Air Bag. I find the chorus chords starting with “Everything is…” a bit disappointing after the awesome intro and verse.
The Bends
= 4 stars
The lyrics document an air crash, suburban ennui, a bomb going off. Airplanes seem to be a favorite Radiohead metaphor, and I think of how we fragile humans have created a world where we’re dependent on machines for survival. I especially love the guitar lick surrounding the lonely question: “where do we go from here?”
High And Dry
= 5 stars
From the gently syncopated drums of the verse to the comfortable vocal melody, this song is perfection. I can’t think of a single thing amiss here, except the falsetto may not be to everyone’s taste, and this song and the next have basically provided a sound for Coldplay to spend their entire career exploring.
Fake Plastic Trees
= 5 stars
Another perfect song that builds decently — I appreciate its sincerity. There’s a simple organ lick also reminds me of Elvis Costello’s King of America.
Bones
= 3 stars
Not a big fan of this one, but I do like the skeletal first verse, where with minimal instruments the chord progression isn’t so obvious. The Planet Telex effect is reiterated.
Nice Dream
= 4 stars
Meet the chiming, bell-like guitar used to much better effect on No Surprises. There’s also a screaming guitar that could have gone somewhere other than it does. It’s a good song, but suffers slightly as its subject matter and mood are explored more fully on OK Computer.
Just
= 5 stars
This song is incredible. It’s equally varied and exciting as the crazy parts of Paranoid Android. Things are taken to a high level with a guitar lick that rises up to a shivering high note (capable of bursting through eardrums), followed by a second coda broadcast like a telegraph bursting into a phone-booth.
My Iron Lung
= 5 stars
I think this song was written in response to the unexpected chart success of Creep, which pushed the band into the spotlight, but led to the unflattering description of Radiohead as the “British Nirvana”. The “iron lung” of this song refers to a career-sustaining one hit wonder, while also fitting in nicely with Radiohead’s subject matter of life sustaining, dehumanizing technology. But I mention Nirvana as I assume it’s the reason for the brain-crushing middle section that I believe is meant as parody and homage simultaneously. That said, it still sounds cool, with some good contrast between sections.
Bullet Proof
= 3 stars
Not a fan of yet another journey into expertly crafted, ethereal falsetto, as the superior High and Dry and Nice Dream renders this song a bit irrelevant here.
Black Star
= 4 stars
There’s much I like about this song, and from any other artist I might grant five stars, but unfortunately despite a great ear-worm melody, it’s just a relationship song with nothing extra that pushes it to a higher level.
Sulk
= 3 stars
I’m not a big fan of the six-eight time employed here, but after listening to the rise and fall of the vocal melody, it’s pretty clear where Keane sprang from.
Street Spirit (Fade Out)
= 4 stars
This could be on Kid A or Amnesiac but without the cool computer noises. I think there are better examples of this sort of song on subsequent journeys.
Album rating = 49 / 12: 4.08 Stars
Wikipedia: Radiohead: The Bends
Next Album: OK Computer
Previous Album: Pablo Honey
iTunes Store Link: The Bends — Radiohead
i love, love, love some radiohead songs and absolutely cannot stand others. i get agitated and whiny and ask my husband to skip them. after giving a bunch a 1-star (only to differentiate between those i rated and those i hadn’t yet with no star), i finally deleted them from my itunes!
Ha ha, well, I have a feeling some of those low star songs might be on Pablo Honey?
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Well I Have got to say I quite enjoyed reading what you had to say about Radiohead and I have found my thoughts to be nothing but agreeable with your opinions on them. However there is one thing, The statement about “British Nirvana” I truly don’t think that it is an unflattering statement. I love Radiohead but Nirvana is… was a truly amazing band that had a immense impact on it’s generation, produced some of the greatest music of the 90’s/80’s and being compared to them is certainly not unflattering. Also Fitter Happier (I know it’s not on the Bends I just can’t be bothered commenting twice) is a terrible song I completely agree however revolution nine is so much worse.
[…] holler. Both exist in embryonic form on Pablo Honey and are expanded upon to much better effect on The Bends and subsequent […]
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