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	<title>Comments on: Movie Notes: The Da Vinci Code</title>
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		<title>By: Movie Notes: Angels And Demons &#187; Webomatica - Entertainment and Tech Digest</title>
		<link>http://www.webomatica.com/wordpress/2006/05/21/the-da-vinci-code/comment-page-1/#comment-30446</link>
		<dc:creator>Movie Notes: Angels And Demons &#187; Webomatica - Entertainment and Tech Digest</dc:creator>
		<pubDate>Thu, 28 May 2009 15:07:21 +0000</pubDate>
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		<description>[...] some problems with The Da Vinci Code: Gone are the CGI animations of Langdon&#8217;s analytical mind, dull talky moments, and the bad [...]</description>
		<content:encoded><![CDATA[<p>[…] some problems with The Da Vinci Code: Gone are the CGI animations of Langdon’s analytical mind, dull talky moments, and the bad […]</p>
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		<title>By: Slammerworm</title>
		<link>http://www.webomatica.com/wordpress/2006/05/21/the-da-vinci-code/comment-page-1/#comment-18823</link>
		<dc:creator>Slammerworm</dc:creator>
		<pubDate>Fri, 02 Nov 2007 21:08:38 +0000</pubDate>
		<guid isPermaLink="false">http://webomatica.com/wordpress/2006/05/21/the-da-vinci-code/#comment-18823</guid>
		<description>Incredibly boring movie. Like &#039;The Exorcist&#039;, the true effectiveness of the whole thing turns on one&#039;s own religious precepts. Without a background steeped in church dogma, &#039;The Exorcist&#039; was in essence just a film about a sick little girl, and &#039;The Da Vinci Code&#039; is a talky chase movie. The French woman is fine, but Tom Hanks seems as if he&#039;s thinking about something else throughout. The original &#039;base material&#039; book (&#039;The Holy Blood And The Holy Grail&#039;, published in 1982) handled the notion of a potentially destructive &#039;church secret&#039; much better than either fictionalised &#039;Da Vinci Code&#039; account, and one didn&#039;t need to be a card-carrying Christian to be engrossed by the story, either.</description>
		<content:encoded><![CDATA[<p>Incredibly boring movie. Like ‘The Exorcist’, the true effectiveness of the whole thing turns on one’s own religious precepts. Without a background steeped in church dogma, ‘The Exorcist’ was in essence just a film about a sick little girl, and ‘The Da Vinci Code’ is a talky chase movie. The French woman is fine, but Tom Hanks seems as if he’s thinking about something else throughout. The original ‘base material’ book (‘The Holy Blood And The Holy Grail’, published in 1982) handled the notion of a potentially destructive ‘church secret’ much better than either fictionalised ‘Da Vinci Code’ account, and one didn’t need to be a card-carrying Christian to be engrossed by the story, either.</p>
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